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Star Trek

This article is about Star Trek, the science fiction media franchise. There is a separate article about the Star Trek project of Apple Computer, Inc.

Star Trek is a science fiction television franchise created by Gene Roddenberry in 1966 which tells the tale of the crew of the starship Enterprise in the United Federation of Planets and their adventures "to boldly go where no man has gone before". The original show was cancelled in 1969 due to low ratings, but became phenomenally popular in syndication. To date, five additional TV series and ten motion pictures set within the Star Trek universe have been released. Star Trek is one of the most popular names in twentieth century science fiction entertainment.

Table of contents
1
2
3
4
5
6
7 Society and Star Trek
8 An uncertain future for the franchise
9 Other series
10 Fan Series
11 Other significant storylines
12 Topics, lists and figures
13 See also
14 External links

(1966-1969)

The first pilot episode, The Cage, was made in 1964. It was rejected by the US television network NBC for being too cerebral without enough action. However, network executives were sufficiently impressed to commission a second pilot, Where No Man Has Gone Before; from the original pilot, only the character of Spock (played by Leonard Nimoy) remained.

Initially, (abbreviated ST:TOS or TOS (The Original Series)) was not successful. Ratings were low, and advertising revenue was lackluster. However, when threats of cancellation loomed in the show's second season, the show's devoted fanbase conducted an unprecedented campaign, petitioning NBC to keep the show on the air. They succeeded in gaining a third season, but the show was moved to a Friday night 'death slot,' and was cancelled at the end of its third season.

However, the fans – many dub themselves Trekkies or Trekkers – made reruns of the show popular, and created a market for later series' and movies based on Roddenberry's work. Star Trek is now a recognized part of American culture, and is also gaining international popularity. Partly due to lobbying from fans of the series, NASA agreed to name its prototype space shuttle the Enterprise.

Episodes

Many episodes of the original series involved encounters with powers much greater than that of the ship and its crew. These powers took many forms: advanced alien races with psychic powers; rogue alien machines; and even, in one case, a god. Sometimes a member of the ship's crew would acquire godlike powers in some freak accident, almost invariably bringing doom upon themselves or the crew. A cautious attitude towards automation prevailed; in many episodes, Captain James T. Kirk (William Shatner) freed alien cultures from repression by dictatorial computers.

Most situations of this type were resolved when the power in question came close to enslaving or destroying the ship and crew, only to be saved by Kirk. His usual strategy was to outwit the antagonist and make impassioned appeals to humanistic values.

The original series also infrequently showed encounters with other advanced spacefaring civilizations, including the Klingons and the Romulans, both of which were involved in separate "cold wars" with the Federation.

Outstanding episodes of the original series include "The Menagerie", the original's only two-part episode, written by Gene Roddenberry and partially derived from the unused pilot "The Cage", "The Trouble with Tribbles" (written by David Gerrold), "The City on the Edge of Forever" (Harlan Ellison), "The Devil in the Dark" (Gene L. Coon), and "Balance of Terror" (Paul Schneider). While most episodes of TOS were self-contained, there were several notable themes throughout the entire series. Arguably, the most important was the exploration of major issues of 1960s America, like sexism, racism, nationalism, and global war. Roddenberry believed that with new perspectives, the public would view those issues differently in their own lives - but some critics accused him of peddling left-wing propaganda.

The original series is also noted for its sense of humor. Bickering between science officer Spock and the Doctor Leonard McCoy (DeForest Kelley) was friendly yet pointed. Episodes like "The Trouble with Tribbles", "I, Mudd" and "A Piece of The Action" were written and staged as comedies. This humor is much more subdued in following series and movies, with the exception of .

A few episodes have gained proverbiality in American culture for totally unforseen and unintended reasons; perhaps the best example is Plato's Stepchildren, in which Mr. Spock gets control of his mind usurped (through a process resembling telekinesis) by denizens of a planet who have somehow chosen Ancient Greece as a role model; while under their influence, Spock plays a harp and sings a song which includes the words "bitter dregs." As a result, some fans of American sports teams which are having an exceptionally poor season have taken to suggesting (such as by writing a letter to the editor of the sports section of their local newspaper or by getting on the air of a sports talk radio station) that the team should entitle its highlight film for that year "Plato's Stepchildren," because the team has become the "bitter dregs" of the league.

Many aspects of starship life in the series were modeled after the British Royal Navy of the age of sail. Roddenberry said he pitched the series to the network as "Wagon Train to the Stars", fearing they wouldn't understand his "Horatio Hornblower in Space" saga. In the series Spock and Dr. McCoy are both confidants of the captain, reflecting practice in the 1800s, when a captain often considered the advice of a near-equal outside the chain of command.

The connection to traditional naval practice is reflected in such small details as the three-toned "captain's whistle" that is heard when the captain appears, and relatively static nature of battles, in which ships fire at each other from a distance. In contrast to the world of Star Wars, no inspiration was drawn from the aircraft carrier of modern naval warfare.

(1973-1974)

The official name of this animated television series was simply Star Trek, but it is referred to as "The animated series" in order to distinguish it from the original series. While the freedom of animation afforded large alien landscapes, budget constraints were a major concern and animation quality was poor. Generally, the animated series is not considered canonicalical. (This was due, in part, to the inclusion of aspects of Larry Niven's Known Space universe into several episodes.)

(1987-1994)

The television series (ST:TNG or TNG), set nearly a century after the original series, was launched in 1987 and featured a new crew and storyline. Unlike the original series, the crew of the USS Enterprise NCC 1701-D met many technologically powerful races. Many episodes also involved plotlines without alien encounters, involving temporal loops, character dramas, and natural disasters. While there were several encounters with advanced races, the crew of this Enterprise (The Next Generation) favored peaceful negotiation more than that in the original series.

A major change was the greater observance of the Prime Directive, which states that the advanced Federation must not interfere with the development of cultures that are unable to travel quickly between the stars. This often created moral conflict within characters, when they were bound to ignore races in need of help.

However, the most noticeable difference between the original series and TNG was the strong continuity of storyline between episodes. One major recurring character, Q, bookended the series, appearing as the first major antagonist of the Enterprise D in "Encounter at Farpoint", and closing the series by forcing the crew into an ultimate test of human resourcefulness in the final episode, "All Good Things...". His Puck-like behavior and calculated mayhem in many episodes made him the most influential antagonist of the crew, as had been planned from the series' beginning.

Star Trek: The Next Generation introduced three new enemy races – the Ferengi, the Borg, and the Cardassians. Rather than the enemies of the original series, the Federation is in alliance with the Klingons, although vast cultural differences remain. A "cold war" with the Romulans continues throughout the series.

Roddenberry continued to be credited as executive producer of Star Trek: The Next Generation, but his influence lessened as the series progressed. Midway through the series, he passed away in 1991. With the addition of producer Rick Berman, the series began to be more active and came to rely more on action and warfare. This became evident in later episodes of TNG, and was the basis of the ongoing plotlines of the following episodes.

(1993-1999)

In 1993, Paramount launched (ST:DS9 or DS9), which ran concurrently with The Next Generation for one year and continued after TNG ended. DS9 was a departure from the established Star Trek formula; it was the first series not to feature the Enterprise and its crew. Instead, the series chronicled the events surrounding the space station Deep Space Nine, a former Cardassian mining station under joint Bajoran and Federation control, near a wormhole to another quadrant of space, the Gamma Quadrant.

Deep Space Nine shedded some of the utopian themes that embodied the previous versions of Star Trek, focusing more on war, political compromise, and other modern themes. Commander Benjamin Sisko (Avery Brooks) was forced to work with a fractured Bajoran government and with his first officer Major Kira (Nana Visitor) being a former underground resistance leader who initially was hostile toward Federation administration of the station.

Through the series, loyalties and alliances changed repeatedly, as alliances with the Cardassians were made, broken, and remade, a short conflict with the Klingons flared, and the Federation found itself allied with the Romulans. The Ferengi in Deep Space Nine were no longer an enemy of the Federation, but rather a power whose neutrality was mostly respected.

The episode "Rules of Acquisition" introduced the Dominion, a ruthless empire in the Gamma Quadrant headed by a group of power-seeking shapeshifters, the Founders. The Dominion eventually went to war with the Federation, the Klingons, and later the Romulans, after allying themselves with the Cardassians. This story arc was explored during most of the final two seasons of the show. Another example of DS9's darker, more controversial plot material is Section 31, a secret police division in Starfleet Intelligence. This undemocratic shadow organization justifies its unlawful, ethically questionable tactics by claiming that it is essential to the continued existence of the Federation. Section 31 is prominent in several episodes of the Dominion War plot arc.

(1995-2001)

first aired in 1995 after the conclusion of The Next Generation. It was set on the USS Voyager in the same time period as Deep Space Nine. In the pilot episode, Voyager is sent on a mission to locate a ship piloted by a cell of the Maquis, an anti-Cardassian terrorist organization. During a chase through the dangerous Badlands, the ships are transported to the other side of the galaxy by an ancient alien device. The two crews are forced to integrate to confront new challenges after the Maquis ship is destroyed by Kazon raiders.

Although the conflict between the freedom-loving Maquis and the establishment Federation crew was explored in the first two seasons, the series concentrated on the exploration of the Delta quadrant during the Voyager's long trek home. On the way, the crew must contend with organ-snatching Vidiians, the determined Borg, and the extradimensional Species 8472.

(2001-present)

The newest series, entitled , began in 2001. Enterprise was set ten years before the founding of the Federation, and was the first series to lack "Star Trek" in the title. It also contained more action, more focus on the danger of space exploration with inferior technology, and a "Temporal Cold War" plot arc which appears to depart from the traditional Star Trek timeline. In the third season the show was renamed Star Trek: Enterprise (sometimes seen abbreviated as ST:E), and the focus of the season was the search for, confrontation with, and resolution with a new group of alien races known as the Xindi.

A number of fans have voiced strong negative opinions about this series, believing the series eschews continuity with the rest of the franchise and central philosophical, intellectual, and universal themes in favor of action and appeals to popular culture. Enterprise has the lowest ratings of any Star Trek series, continuing a decline since The Next Generation.

Society and Star Trek

Roddenberry was an ardent proponent of egalitarian politics, and frequently used the shows to showcase his vision of a future society based on those principles. A prominent female crew member, Nyota Uhura, was played by Nichelle Nichols, one of the first African-American women to hold a major acting role on American television. Only two decades after the second World War, Star Trek featured an ethnic Japanese officer, Hikaru Sulu (George Takei). In the second season, a Russian character, Pavel Chekov (Walter Koenig) was added.

The Vulcan first officer Mr. Spock was at first rejected by network officials who feared that his vaguely satanic appearance might prove too disquieting. However, Spock went on to become one of the most popular characters on the show, arguably due to his role as the peaceful, logical, calm foil to Dr. McCoy's impassioned, old-fashioned, fiery personality.

Modern viewers might find the old series' portrayals of minorities and women backward, but the program was progressive and daring for its time. One of Star Trek's claims to fame is that it featured the first televised kiss between a white character and a black character in the United States. In an episode that used mind control as a ruse to break this taboo, Captain Kirk and Uhura were forced to share the first interracial kiss on American television (episode 67, "Plato's Stepchildren"). However, while they were shown embracing, they did not actually kiss - Kirk's head turns to block the view of the kiss at the last moment. Scenes clearly showing the kiss were filmed, but it was considered too risque to show it.

added much more information on the Star Trek universe. The Federation has an economy of abundance without money, enabled by advanced replicator technology. Labor, purchase, and sale are not necessary, as there is no scarcity to limit the satisfaction of one's material needs and wants. However, certain resources, such as those necessary to power warp and replicator technology, and interplanetary commerce is not uncommon. Greed and jealousy are thus greatly reduced. Characters often explain that the purpose of the people of the Federation is personal and universal beneficence.

Many of the alien species encountered in the series are strikingly similar to humans, both in physical form and in relationships. Mixed race offspring are also possible. In the TNG episode "The Chase", it is explained that many primordial worlds of the Federation were "seeded" by an ancient race of spacefarers, so that their dying race would live on in various forms around the galaxy.

Alien species and political powers in Star Trek often have iconic properties. In some cases these have been directly envisioned by writers, and in others perceived such by fandom. Some examples:

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