Politics
Nietzsche's sister Elizabeth Nietzsche's heavily edited Nietzsche's work in order to promote him as a proto-Nazi thinker (she was herself an ardent German nationalist and pro-Nazi); this bastardization was largely to blame for Nietzsche being associated in the 1930s with the Nazis, who primarily took Elizabeth's deliberately misconstrued versions of his works as their source.
It is worth noting that Nietzsche's thought largely stands opposed to Nazism. In particular, Nietzsche despised anti-Semitism and nationalism, took a dim view of German culture as it was in his time, and derided both the state and populism. He was also far from being a racist, believing that the 'vigor' of any population could only be increased by mixing with others. In Twighlight of the Idols, Nietzsche has this to say, "...the concept of 'pure blood' is the opposite of a harmless concept."
As for the idea of the "blond beast", Kaufman has this to say, "The 'blond beast' is not a racial concept and does not refer to the 'Nordic race' of which the Nazis later made so much. Nietzsche specifically refers to Arabs and Japanese, Romans and Greeks, no less than ancient Teutonic tribes when he first introduces the term...and the 'blondness' obviously refers to the beast, the lion, rather than the kind of man."
While some of his writings on "the Jewish question" were critical of the Jewish population in Europe, he also praised the strength of the Jewish people, and this criticism was equally, if not more strongly, applied to the English, the Germans, and the rest of Europe. He also valorised strong leadership, and it was this last tendency that the Nazis took up.
Themes and trends in Nietzsche's work
Nietzsche is important as a precursor of 20th century-existentialism and an inspiration for post-structuralism and an influence on postmodernism. However, dry academic summaries of his thought cannot capture the liveliness of his writing, and his extraordinary sense of humor, as in the famous exchange: "God is dead" - Nietzsche; "Nietzsche is dead" - God, and the riposte, "Some are born posthumously!" - Nietzsche. In many respects his writings today appear "romantic" relative to modern sociobiological and medical anthropological theory in the same sense that the Wright Brothers' flying machines appear quaint relative to modern high performance jets.
Nietzsche's works helped to reinforce not only agnostic trends that followed Enlightenment thinkers, and the biological worldview gaining currency from the evolutionary theory of Charles Darwin (which also later found expression in the "medical" and "instinctive" interpretations of human behavior by Sigmund Freud), but also the "romantic nationalist" political movements in the late 19th century when various peoples of Europe began to celebrate archeological finds and literature related to pagan ancestors, such as the uncovered Viking burial mounds in Scandinavia, Wagnerian interpretations of Norse mythology stemming from the Eddas of Iceland, Italian nationalist celebrations of the glories of a unified, pre-Christian Roman peninsula, French examination of Celtic Gaul of the pre-Roman era, and Irish nationalist interest in revitalizing Gaelic.
Apart from "noble savage" and "religious deprogramming" themes, in his brazen work "The Anti-Christ" Nietzsche wrestled with a major tragic issue that remains very much with us today. The politics of urbanized society may tend to reverse the evolutionary processes that bred for various strengths and nobility in primitive man. Ugly, physically weak, and inadequate men who would never make it in a frontier environment nevertheless through low cunning and mafia-like behavior might through financial manipulation acquire control of society. In "The Anti-Christ" Nietzsche said that while it was necessary for Jews at points in their history to affect "slave morality" as an oppressed minority as a means to get their oppressors off their backs by deceiving them while hiding their own strengths, the deception practiced by Saul of Tarsus in spreading Christianity went too far in its social destructiveness. Hence a paradox: a person who practices "slave morality" shows true inferiority if he really believes in it, but one can show strength and superiority if one uses it as sheep's clothing to disguise the stalking wolf. (As Sun Tzu put it: "All war is based on deception.")
Some people have suggested that Dostoevsky may have specifically created the plot of his Crime and Punishment as a Christian rebuttal to Nietzsche. This cannot be correct, however, as Dostoevsky finished Crime and Punishment well before Nietzsche published any of his works).
Quotes
- "He who fights with monsters should look to it that he himself does not become a monster. When you gaze long into the abyss, the abyss also gazes into you ."
- "That which does not kill you makes you stronger."
- "A man's maturity -- consists in having found again the seriousness one had as a child, at play."
''See also the Friedrich Nietzsche Wikiquote page
List of Works
- Die Geburt der Tragödie, 1872 (The Birth of Tragedy)
- Unzeitgemässe Betrachtungen, 1876 (Untimely Meditations)
- Menschliches, Allzumenschliches, 1878 (Human, All Too Human)
- Morgenröte, 1881 (Daybreak, or The Dawn)
- Die fröhliche Wissenschaft, 1882 (The Gay Science)
- Also sprach Zarathustra, 1885 (Thus Spake Zarathustra)
- Jenseits von Gut und Böse, 1886 (Beyond Good and Evil)
- Zur Genealogie der Moral, 1887 (On the Genealogy of Morals)
- Der Fall Wagner, 1888 (The Case of Wagner)
- Götzen-Dämmerung, 1889 (The Twilight of the Idols)
- Der Antichrist, 1895 (The Antichrist)
- Nietzsche contra Wagner, 1895 (Nietzsche vs. Wagner)
- Der Wille zur Macht, 1901 (The Will to Power, a highly selective collection of notes from various notebooks, not intended for publication by Nietzsche himself, but released by his sister)
- Ecce Homo, 1908 (Behold the Man, an attempt at autobiography; the title refers to Pontius Pilate's statement upon meeting Jesus of Nazareth)
References
- Kaufmann, Walter. Nietzsche: Philosopher, Psychologist, Antichrist. Princeton: Princeton University Press, 1974
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