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Starting in the 1980s, the perfection of the extractor hood allowed again designing open kitchen, integrated more or less with the living room without causing the whole apartment or house to smell. Before that, only a few earlier experiments, typically in newly built upper middle class family homes, had open kitchens. Examples are Frank Lloyd Wrights House Willey (1934) and House Jacobs (1936). Both had open kitchens, with high ceilings (up to the roof) and were aired by skylights. The extractor hood made it possible to build open kitchens in apartments, too, where both high ceilings and skylights were not possible.
The re-integration of the kitchen and the living area went hand in hand with a change in the perception of cooking: increasingly, cooking was seen as a creative and sometimes social act instead of work, especially in upper social classes. Besides, many families also appreciated the trend towards open kitchens, as it made it easier for the parents to supervise the kids while cooking. The enhanced status of cooking also made the kitchen a prestige object for showing off one's wealth or cooking professionalism. Some architects have capitalized on this "object" aspect of the kitchen by designing freestanding "kitchen objects". However, like their precursor, Colani's "kitchen satellite", such futuristic designs are exceptions.
Another reason for the trend back to open kitchens (and a foundation of the "kitchen object" philosophy) is also to be found in the changes in the food alimentation. Whereas in the 1950s most cooking started out with raw ingredients and a meal had to be prepared for real, the advent of frozen meals and pre-prepared convenience food has changed the cooking habits of many people, who consequently used the kitchen less and less. Why "waste" space for a fully equipped kitchen in a separate room if it had only cursory uses to "nuke" frozen meals? For others, who followed the "cooking as a social act" trend, the open kitchen had the advantage that they could be with their guests while cooking, and for the "creative cooks" it might even become a stage for their cooking performance.
Domestic kitchen planning
Domestic kitchen design per se is a relatively recent discipline. First ideas to optimize the work in the kitchen go back to Catherine Beecher's A Treatise on Domestic Economy (1843, revised an republished together with her sister Harriet Beecher Stowe as The American Woman's Home in 1869). Beecher's "model kitchen" propagated for the first time a systematic design based on early ergonomics. The design included regular shelves on the walls, ample work space, and dedicated storage areas for various food items. Beecher even separated the functions of preparing food and cooking it altogether by moving the stove into a compartment adjacent to the kitchen.
Christine Frederick published from 1913 on a series of articles on "New Household Management" in which she analyzed the kitchen following Taylorist priciples, presented detailed time-motion studies, and derived a kitchen design from them. Her ideas were taken up in the 1920s by architects in Germany and Austria, most notably Bruno Taut, Erna Meyer, and Margarete Schütte-Lihotzky. A social housing project in Frankfurt (the Römerstadt of architect Ernst May) realized in 1927/28 was the breakthrough for her Frankfurt kitchen, which embodied this new notion of efficiency in the kitchen.
While this "work kitchen" and variants derived from it were a great success for tenement buildings, home owners had different demands and didn't want to be constrained by a 6.4 m² kitchen. Nevertheless, kitchen design was mostly ad-hoc following the whims of the architect. In the
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